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In due course the wonderful gown arrives, and is made welcome at the farm, where Geoffrey too puts in an appearance about two hours later. "I suppose so," says Mona lifting her brows. "Tired!" says Geoffrey, hastily. "No, indeed. What could tire of anything so divine? If it is your wish, it is mine also, that we should stay here for a little while longer." Then, struck by the intense relief in her face, he goes on: "How you do enjoy the beauties of Nature! Do you know I have been studying you since you came here, and I could see how your whole soul was wrapped in the glory of the surrounding prospect? You had no thoughts left for other objects,—not even one for me. For the first time," softly, "I learned to be jealous of inanimate things.".
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"I am glad of that," says Mona, nicely, as he pauses merely through a desire for breath, not from a desire for silence. "But you couldn't fondle a pig on your knees," says Mona, who is growing every minute more and more mixed. "In the National Gallery, do you mean?" asks Mona, with a pretty, puzzled frown on her brow. "Oh, no, Geoffrey; I shouldn't like that at all. To be stared at by everybody,—it wouldn't be nice, would it?" When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good..
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